Dutch mezzosoprano Olivia Vermeulen has established herself in recent years as a versatile soloist of international standing. Her opera and concert performances in a wide range of repertoire from early music to 21st century works have fired audiences around the world.
Having celebrated her début at the Opéra National de Paris in 2019 performing the lead role of Abel in a Romeo Castellucci landmark production of Scarlatti's Il primo omicidio conducted by René Jacobs, Ms. Vermeulen joined the Freiburg Baroque Orchestra, again under René Jacobs, for an international tour as Donna Elvira in Mozart's Don Giovanni. In the same season, she returned to the Berlin Staatsoper for Abel in Il primo omicidio, where in 2016 she had made her tumultuously celebrated début in the lead role of Turno in Steffani's Amor vien dal destino under René Jacobs. 2018 saw her début with the Berliner Philharmoniker in a performance of Mozart's Great Mass in C Minor conducted by Daniel Harding. Her interpretation of the role of Cherubino in Le nozze di Figaro, performed on a 2018 worldwide tour with the Freiburg Baroque Orchestra under René Jacobs, received rave reviews.
Engagments of the 2019-20 season include her début with the NHK Symphony Orchestra, performing Beethoven's Missa solemnis under Masaaki Suzuki in Tokyo. the role of Sesto in a concert performance of Handel's Giulio Cesare in Moscow conducted by Christopher Moulds, and a revival of Thomas Larcher's Das Jagdgewehr at the Nationale Opera Amsterdam. Her exciting new solo CD, Dirty Minds, with pianist Jan Philip Schulze, was released by Challenge Records, including a release concert at the Concertgebouw Amsterdam in 2020.
Upcoming projects of the 2020-21 season comprise Handel's Giulio Cesare in Egitto under Christopher Moulds and Mozart's Così fan tutte under René Jacobs in Moscow, extracts from Strauss' Ariadne auf Naxos with the Budapest Festival Orchestra under Iván Fischer, as well as Wolfgang Rihm's "Andere Schatten" with the Deutsche Kammerphilharmonie Bremen and RIAS Kammerchor. Along with the Belgian B'Rock Orchestra, Olivia will tour with a new project entitled "Life and Death" featuring works by Purcell, Blow, Bach and others, before performing Handel's Messiah with the Noord Nederlands Orkest, Bach's St Matthew Passion with the Nederlandse Bachvereniging under René Jacobs, and Bach's Christmas Oratorio with Hansjörg Albrecht at the Hamburg Elbphilharmonie. In addition, Olivia will give her highly-awaited debut as Idamante in Mozart's Idomeneo at the Zurich Opera House.
Olivia Vermeulen has frequently worked with eminent conductors such as René Jacobs, Philippe Herreweghe, Pablo Heras-Casado, Daniel Harding, Marek Janowski, Michael Schønwandt, Lothar Zagrosek, Andrea Marcon, Giovanni Antonini, Iván Fischer, Markus Stenz, Frans Brüggen, Reinhard Goebel, Alessandro de Marchi, and Tomáš Netopil. She has appeared with many of the world's most distinguished orchestras, including the Budapest Festival Orchestra, London Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, Ensemble Modern, and Camerata Salzburg, and has been invited to appear at leading festivals including the Festival International d'Art Lyrique d'Aix-en-Provence, Ruhrtriennale, the Festival International d'Opéra Baroque & Romantique de Beaune, Munich Opera Festival, Musikfest Berlin, Kissinger Sommer, Rheingau Music Festival, Mozartwoche Salzburg and the Schleswig-Holstein Musik Festival.
A champion of an unusually wide range of repertoire spanning five centuries, Olivia starred at the 2018 Bregenz Festival in the world premiere of Thomas Larcher's opera Das Jagdgewehr. She has premiered songs by Wolfgang Rihm and celebrated her début at the Ruhrtriennale festival in 2017 with the world premiere of Kein Licht by Philippe Manoury. On the opera stage, she recently appeared in Mozart's La finta giardiniera, sang the title role in Händel's Teseo in Moscow's Tchaikovsky Hall, and appeared as the eponymous queen in Vivaldi's Arsilda at the Grand Theatre Luxembourg, Opéra de Lille and the Opéra Royal Versailles. Furthermore, she recently sang Fyodor in Boris Godunov in Amsterdam and Annio in Mozart's La clemenza di Tito in Moscow, as well as Cherubino in an Aix-en-Provence Festival production of Le nozze di Figaro at the Opéra de Dijon.
A native of the Netherlands, Olivia Vermeulen studied in Detmold, Germany, and in Berlin with Julie Kaufmann, and worked in masterclasses with Dietrich Fischer-Dieskau, Andreas Scholl, Thomas Quasthoff, and Irwin Gage. Among many other distinctions and awards, she won the Bavarian Radio International Lied Competition "La Voce" in 2008. As a widely recorded and broadcast artist, her recent recording of Mozart's Great Mass in C Minor won awards and international critical praise (Masaaki Suzuki, Bach Collegium Japan, BIS Records 2016). Her latest CD release of G.F. Händel's version of Didone abbandonata (Deutsche Harmonia Mundi/SONY 2018) also received great critical acclaim worldwide.
V. Bellini | I Capuleti e i Montecchi | Romeo (stud.) |
G. Bizet | Carmen | Mercédès |
G. Gazzaniga | Don Giovanni | Don Giovanni (it.) |
W. Gluck | Orfeo ed Euridice | Amor (it., Vienna version) |
Armida | Phénice, Coryfée, un Plaisir, Bergère | |
Orfeo | Orfeo (stud.) | |
G. F. Handel | Alcina | Oberto (it.), Ruggiero (it.) |
Giulio Cesare | Sesto (it.) | |
Teseo | Teseo, Medea (de.) | |
Ariodante | Ariodante (it.) | |
Rinaldo | Almirena (it.) | |
E. Humperdinck | Hansel and Gretel | Hansel |
Ch. Jost | Death knocks | Death (en./de.) |
M. Kagel | Staatstheater | Alto |
R. Keiser | Arsinoe | Lesbia |
Pomona | Ceres | |
J. M. Kraus | Aeneas in Carthago | Barcé, Iris |
Th. Larcher | Das Jagdgewehr (WP) | Saiko |
Ph. Manoury | Kein Licht (WP) | Mezzo-Soprano |
C. Monteverdi | Il ritorno d’Ulisse in patria | Penelope (it.) |
L’incoronazione di Poppea | Nerone (stud.) | |
W. A. Mozart | La finta giardiniera | Ramiro (it., de.) |
Le nozze di Figaro | Cherubino (it., de.) | |
The Magic Flute | 2nd Boy, 2nd Lady | |
Don Giovanni | Donna Elvira (it.), Zerlina | |
La clemenza di Tito | Annio (it.) | |
Così fan tutte | Dorabella (it.) | |
Idomeneo | Idamante | |
E. Naske | Die rote Zora | Zora |
J. Offenbach | La Périchole | Mastrilla |
Les contes d’Hoffmann | Nicklausse (stud.) | |
G. B. Pergolesi | La serva padrona | Serpina |
F. Poulenc | La voix humaine | Elle |
S. Prokofiev | The Love for Three Oranges | Linetta (de.), Smeraldine (fr.), Clarice (fr.) |
H. Purcell | Dido and Aeneas | Dido (stud.) |
M. Ravel | L’Enfant et les Sortilèges | L’Enfant (fr.) |
G. Rossini | La Cenerentola | Angelina (it.) |
Il barbiere di Siviglia | Rosina | |
A. Scarlatti | Penelope la Casta | Elvida (it.) |
Didone delirante | Didone (it.) | |
Il primo omicidio | Abel (it.) | |
D. Scarlatti | La Dirindina | Dirindina (it.) |
A. Steffani | Amor vien dal destino | Turno (it) |
J. Strauß | Die Fledermaus / The Bat | Orlofsky |
R. Strauss | Ariadne auf Naxos | Dryade |
P. Tchaikovsky | The Queen of Spades | Daphnis |
A. Vivaldi | Arsilda | Arsilda (it.) |
P.-J. Wagemans | Andreas weent (WP) | Trune |
R. Wagner | Die Meistersinger von Nürnberg | Lehrbube (Alto 1) |
Parsifal | Flowermaiden | |
J. Weigl | Die Schweizer Familie | Getrud |
J. F. Agricola | Kantate: Kündlich groß ist das gottselige Geheimnis |
H. Andriessen | Miroir de peine |
J. S. Bach | Mass in B minor (2. Soprano, Alto) |
Magnificat in D major (2. Soprano, Alto) | |
St. Matthew Passion | |
St John Passion | |
Easter Oratorio | |
Christmas Oratorio | |
Various Cantatas | |
C.P.E. Bach | Magnificat |
Cantata: Meine Seele erhebet dem Herrn | |
L. v. Beethoven | 9. Symphony |
H. Berlioz | Les nuits d’été |
J. Brahms | Liebeslieder Walzer op. 52 |
B. Britten | Folk Song Arrangements |
D. Buxtehude | Membra Jesu Nostri |
A. Caldara | Missa dolorosa |
E. Chausson | Chanson perpétuelle |
C. Debussy | Le martyre de Saint Sébastien |
J. Dowland | Selected Song from the Book of Songs or Ayres |
A. Draghi | Stabat mater |
M. Duruflé | Requiem |
A. Dvořák | Moravian Duets op. 32 |
J. Eccles | Mad Songs |
M. de Falla | Siete canciones populares españolas |
G. Fauré | Requiem |
Th. Gouvy | Requiem |
C. H. Graun | Cantata: Kommt Christen, feiert dieses Fest |
G. F. Handel | Messiah |
Dixit Dominus | |
The ways of Zion do mourn | |
Occhi miei, che faceste (Solo-Cantata) | |
Spanish Cantata, HWV 140: No se emenderá jamás | |
J. Haydn | Stabat mater |
Arianna a Naxos | |
M. Haydn | Requiem |
A. Honegger | Cantique de Pâques |
Judith (Servante) | |
A. Lotti | Solo-Cantata: Dal profondo del Cor |
G. Mahler | 4th Symphony |
B. Marcello | Solo-Cantata: Aure piangete |
Solo-Cantata: Zeffiretto soave | |
F. Mendelssohn | A Midsummer Night's Dream |
Magnificat (Alto) | |
Lobgesang (Symphony No 2), (2. Soprano) | |
W. A. Mozart | Mass in C minor (2. Soprano) |
Requiem | |
Coronation Mass and Various Masses | |
The Messiah (Handel arr. by Mozart) | |
G.B. Pergolesi | Stabat Mater |
O. Respighi | Il tramonto |
J.G. Rheinberger | Requiem |
J. Rodrigo | Tres canciones españolas |
G. Rossini | Petite Messe Solennelle |
Stabat Mater | |
C. Saint-Saëns | Oratorio de Noël (Mezzo-Soprano, Alto) |
D. Scarlatti | Stabat Mater |
Various Solo-Cantatas | |
F. Schubert | Magnificat C-Dur |
Messe Nr. 5 in As-Dur | |
R. Schumann | Der Rose Pilgerfahrt |
Requiem | |
Spanisches Liederspiel op. 74 | |
Spanish Love Songs op. 138 | |
I. Stravinsky | Pulcinella |
G. Ph. Telemann | Brockes Passion |
A. Vivaldi | Gloria in D major |
Magnificat | |
Juditha Triumphans (Vagans) | |
J. D. Zelenka | German Magnificat |
All information are subject to change
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