Mezzo-soprano Laila Salome Fischer made her debut in 2021 under the baton of Jordi Savall at the Beethovenfest Bonn and the Berlioz Festival in France in Beethoven's IX Symphony. This was followed by further concerts at the Philharmonie de Paris and the Teatro del Liceu Barcelona. She also appeared in Mozart's Requiem under Jordi Savall with concerts at the Alte Oper Frankfurt, in Lyon, Paris and Barcelona, among others.
In 2022, she performed with L'arte del mondo and the Pera Ensemble at the Bayrischer Rundfunk's Long Night of Early Music and again at the Handel Festival Halle in “Timur & Bayezid”, an opera pastiche by Mehmet Yesilcay with the Pera Ensemble, which was premiered in a shortened version at the digital Handel Day in 2020. Her debut CD “Talkin'about Barbara” with works by the composer Barbara Strozzi was nominated several times for the Opus Klassik in 2022, including in the category Young Singer of the Year.
A solo concert programme was commissioned from her by the Halle and Göttingen Handel Festivals, which had its premiere in summer 2023 (based around Handel's Agrippina). Her second solo CD "Scenes of Horror" was released in February 2024 with the baroque ensemble Il Giratempo under the direction of Max Volbers. This new CD was listed by the BBC as one of the most exciting new releases and has been played there several times recently. The CD was voted 'Album of the Week' by rbb Kulturradio. Opernglas called Laila Salome Fischer an "outstanding baroque voice". Concert engagements in 2024/25 include her debut with Concerto Köln with a Bach/Scheibe programme in the Cologne Philharmonie and at the Herrenchiemsee Festival, her debut at the Vienna Musikverein under the baton of Jakob Lehmann with a Mozart/Handel programme and further concerts with Il Giratempo, including two concerts at the Schleswig-Holstein Music Festival 2024 with her solo programme "Talkin' about Barbara".
2019/2020 - 2021/22 Laila Salome Fischer was a member of the Dresden State Operetta ensemble, where she sang roles such as Hansel, Frau Reich, Orlofsky, Ganymede, Ciesca (Gianni Schicchi), 2nd Lady and Fragoletto. In 2022/23 she joined the ensemble of the Lübeck Theatre, where she remained until 2023/24. In Lübeck, she appeared as Cherubino, Suzuki, Orlofsky and Nancy in "Albert Herring", Siébel in Gounod's "Faust" and Olga in "Eugene Onegin", among others. In 2024/25, she will return to Lübeck as a guest for Handel's "Semele".
She will also make her house debut at the Deutsche Oper am Rhein in 2024/25 as Marylou in "Märchen im Grandhotel".
Laila Salome Fischer gained her first stage experience in the children's studio of the Komische Oper Berlin before becoming a junior student at the Julius Stern Institute of the Berlin University of the Arts at the age of 11. At the age of 12, she took on the role of Clothilde in the Echo Klassik award-winning CD production of Henze's opera "Pollicino". While still at school, she was awarded the first national prize in the "Jugend Musiziert" competition and won a scholarship from the Yamaha Music Foundation of Europe (YMFE). After graduating from high school, she began her vocal studies at the Berlin University of the Arts. She was a scholarship holder of the German Music Competition and the Cusanuswerk Episcopal Study Foundation. While still a student, she received her first engagements at the Deutsche Oper Berlin and the Potsdam Music Festival, among others.
She has performed at the Bregenz Festival, in concerts at the Berlin State Opera and the Komische Oper Berlin, with the Dresden Philharmonic Orchestra, in Tel Aviv, Paris and South America, at the Leipzig Bach Festival and the Handel Festivals in Halle and Göttingen with conductors such as Jacques Lacombe, Laurence Cummings, Thomas Guggeis, Sergio Azzolini and Jordi Savall.
P. Abraham | Märchen im Grandhotel | Marylou (Komische Oper Berlin Version) |
R. Benatzky | The White Horse Inn | Josepha Vogelhuber (Bar Jeder Vernunft Version) |
B. Britten | Albert Herring | Nancy |
G. Donizetti | La fille du régiment | Marquise de Berkenfield |
Ch. W. Gluck | Orpheus | Orpheus (excerpts) |
Ch. Gounod | Faust | Siébel |
G. F. Handel | Alcina | Alcina / Ruggiero (stud.) |
Semele | Juno, Ino (from 2024/25) | |
Agrippina | Agrippina | |
J. Haydn | Il mondo della luna | Ernesto |
E. Humperdinck | Hansel and Gretel | Hansel |
Tom Jones | Fantasticks | Luisa |
F. Loewe | My Fair Lady | Eliza Doolittle |
J. Massenet | Werther | Charlotte (stud.) |
W. A. Mozart | Le nozze di Figaro | Cherubino |
The Magic Flute | 2nd Lady | |
J. Offenbach | Les Brigands | Fragoletto |
The Tales of Hoffmann | Giulietta / Niklausse (stud.) | |
F. Poulenc | Les dialogues des carmélites | Mère Marie |
G. Puccini | Gianni Schicchi | Ciesca (de) |
Madama Butterfly | Suzuki | |
Rodgers&Hammerstein | Cinderella | Cinderella (de) |
F. von Suppé | Die schöne Galathée | Ganymed |
J. Strauß | Die Fledermaus / The Bat | Orlofsky |
R. Strauss | Der Rosenkavalier | Octavian (stud.) |
Elektra | 2. Magd | |
P. Tchaikovsky | Eugene Onegin | Olga |
R. Wright & G. Forrest | Kismet | Lalume |
Johann Ludwig Bach | Mache dich auf, werde Licht |
J. S. Bach | Christmas Oratorio |
Cantatas: BWV 64, 117, 133; 170 | |
St John Passion | |
St. Matthew Passion | |
Mass in B minor Soprano 2, Alto | |
L. v. Beethoven | Missa solemnis |
9. Symphony | |
B. Britten | Les Illuminations |
E. Elgar | The Dream of Gerontius Mezzo-soprano (Angel) |
G. F. Handel | Messiah |
G. Mahler | Lieder eines fahrenden Gesellen |
F. Mendelssohn | Hymn of Praise Soprano 2 |
W. A. Mozart | Requiem |
Great Mass in C minor Soprano 2 | |
G. B. Pergolesi | Stabat mater |
Barbara Strozzi | Various cantatas |
J. D. Zelenka | Magnificat |
All information are subject to change
© 2021 Kulturkontor.de